The filmmakers relied on a perhaps optimistic presumption that moviegoers could actually comprehend the moral shades of grey as opposed to surface-level “good versus evil” melodrama. Namely, post-9/11 entertainments like 24, Zero Dark Thirty or Iron Man emphasized, not victims of post-9/11 foreign policy good, but rather good/decent American/white/European men and women who either tried to be the exception to the rule or felt really bad about bending their moral codes. While it was refreshing to see a major Hollywood production portraying armed Muslim soldiers as equally human compared to European forces, the film still fell into the defining trap of many seemingly well-intentioned post-9/11 movies and TV shows.
Viral Photos Of LeBron James Dressed In Pink For The Barbie Movie Are AI Fakes
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